What is ZimHipHop Anyway?

Last week, I attended the Jongwe Corner Hip Hop Fest, eager to experience the best of Zimbabwean hip-hop. Although I missed Tanto Wavie (unfortunately) and Ti Gonzi (also unfortunately… I guess), I caught Voltz, Bagga, Bling 4, and Holyten's performances. By the end of the night, a debate had ignited: was Holyten's set truly hip-hop, or was it Rhumba? (Voltz, stop bullying Holyten 🙄😂)

This sparked a broader question: what defines Zimbabwean hip-hop in 2024? As the genre continues to grow and evolve, it's essential to explore its core elements and blurred lines with other styles.

Zimbabwean hip-hop, like its global counterparts, is built on four pillars:

1. MCing (Rapping): Lyricism that tells our stories, shares our struggles, and celebrates our triumphs.

2. DJing: The art of mixing and scratching, often blending traditional sounds with modern beats. 

3. Breaking (Dancing): Dynamic moves that reflect our energy and creativity.

4. Graffiti Art: Mukoma Tinashe Mutarisi, murikutiregerera 😔

After acknowledging these core elements, the question becomes: where do we draw the line between hip-hop and other genres? Does it even matter? 

In my opinion, what makes Zimbabwean hip-hop ZimHipHop?

- Bringing it back home: Language, cultural references, and reference points that draw from our history, mythology, and everyday life.

- Social Commentary: Addressing issues like economic struggles, politics, and social justice.

As we navigate the ever-changing landscape of Zimbabwean hip-hop, it's essential to acknowledge and celebrate our diversity. The recent inauguration of Trap Chimurenga by Pusha Tee Madzika (Faunda) and the emergence of TrapSu and AmaSu (Faunda vemashuwa) demonstrate our willingness to experiment and push boundaries.

However, the debate surrounding Holyten's genre-bending sound, particularly with songs like Mai Ju and Madhafela, raises important questions: Is this hip-hop? Is it different from what Bagga, Tanto, and Saintfloew are doing with their genre-bending music?

We don't have to agree on the answers. In fact, we encourage opposing views and lively debate. Let's scrutinize these artists' works…. equally, recognizing that they're all pushing the boundaries of what hip-hop means in Zimbabwe. By engaging with these questions and sharing our perspectives, we'll gain a deeper understanding of our scene's diversity and versatility."

That said maGhetto youts wanted no parts of the Ndombolo this weekend but story for another day that will never come 😂😂

Check out this conversation I had with Kikky Badass. we probably made some form of reference to all this. If not then just enjoy anyway ❤️