Teargas, Riddims, and Rap Royalty: Voltz JT and Master H Bring Chitungwiza to Its Knees

Byron had not ceased talking about Kirk as a guy who walks his talk in the many times we do Zvipoko rounds in Houghton Park. It would be months before Shoko Festival Peace In The Hood was announced and curated by none other than this mutual and industry friend.

We went to Chitungwiza with assurance that we had our way sorted given that this showdown is free of charge. We were there more than for the music on the stage but to absorb from a higher altitude the heat of curating an event that would invite little more or less than 15 thousand people.

The event wasn’t just a showcase of urban culture but a forceful reminder of its roots—riddims and raps. And while Kirk may have earned a reputation as a relaxed figure in casual settings (you know, over a few drinks), on this day, he was all business to keep the show on track.

The show, headlined by Voltz JT, Tamy Moyo, and Master H, was an explosive culmination of Zimbabwean urban culture. Voltz JT’s fans were out in droves, particularly energized by the fact that the rapper was performing in NOP Makoni—his grandmother’s stomping grounds. This homecoming vibe was electric, pushing the barricades beyond their limits.

The crowd surged, refusing to be confined, and the police, in a panicked response, resorted to teargas to contain the youthful energy. The tension was palpable. Journalists and artists were even called upon to help spot any crowd invaders. By the time Voltz JT hit the stage, the atmosphere was supercharged.

His presence was magnetic—everyone wanted to get closer. The aura of a young artist returning to his roots was irresistible.

But the night had already been primed by Tamy Moyo, who brought the house down with her vibrant set, featuring a surprise cameo from rapper Paintafresco.

Talk about setting the tone. Other notable acts included Young Gemini and Natasha Muz, who showed why they’re the queens of hip-hop. Mullbruh’s VI The Law injected the kind of energy that reminded everyone that the southern part of the city can match the north when it comes to hip-hop heat. And let’s not forget Senegalese rapper Xuman of the fame Journal Rappe~, who was treated like visiting royalty, with the crowd giving him a diplomatic pass like only Chitungwiza knows how.

Yet amidst all the highlights, there’s one lingering question: what on earth are Mponda Sugar and Master H planning for the future? Master H, barely 25 according to VaMandava (please cook him if he lied), put on a dancehall masterclass that left the crowd reeling. Backed by a live band—rumored to be performing together for the first time in Chitungwiza—it was an unforgettable set.

The last time I witnessed a dancehall act with that kind of raw power, it involved a certain GOAT whose name I won’t mention because, frankly, we’re not ready for that conversation.

The conclusion was clear—Master H and Voltz JT are ruling their genres in 2024. Their joint release, Dhanzi/Nawanadem, set the tone for the year, and Saturday night was just the latest proof. Urban culture in Zimbabwe is alive and well, and it rests squarely on the backs of riddims and raps.

Mambo Hwata, hats off to you. Chitungwiza may never be the same, and after Saturday night, neither will Zimbabwean urban culture.