MuGaratia's Pemurai Dzose – A Debut Marked by Versatility and Authenticity
Earlier today, I couldn't resist poking fun at Mugaratia's signature tagline, where he proudly claims to have a farm, "ndine purazi ndine farm". So naturally, I asked the burning question: 'Got title deeds to that farm?' His quick wit came through as he fired back, 'The music is my farm.' Indeed his new album Pemurai Dzose is a farm like no other.
Hence this review is going to take the album through fact checking to determine whether he deserves to have his own title deeds now.
Pemurai Dzose is Mugaratia's bold entrance into Zimbabwe’s musical arena, produced entirely under the wings of Tanto Wavie Kayb and Cleff Jones on the side. The album title, which means "leaving no stone unturned," mirrors the effort and passion infused into each track. Here's a breakdown of the album's highlights:
Tinashe – There's no reason to be fearful with the Lord in my team. This track is Mugaratia declaring that with his faith, there’s nothing to fear. It feels almost like an intro, setting the tone for the ambitious themes that follow throughout the album.
Late Night In Chitungwiza – An upbeat dancehall riddim where Mugaratia showcases his versatility. It’s clear this song is engineered for mainstream success, with its infectious rhythm and energy. He’s been performing this on various stages even before the album dropped, building anticipation and connecting with his audience.
On God – Too many times that I bluetick others saying I have you. Mugaratia is in his element here, crooning to his girlfriend about their future together. The love song is an ode to commitment, promising that marriage is on the horizon. It’s classic Mugaratia, romantic yet grounded in real-life conversations.
Sunday – An anthem for the modern youth, both ghetto and uptown. As the title suggests, Mugaratia reflects on missed church services, choosing the bar over religious commitments. Lines like "ndiri gangster musalad" blend street toughness with a quiet, reflective side. The track merges two worlds—rebellious yet introspective.
Pemurai Dzose – As the album’s title track, this song is Mugaratia’s declaration to those who once doubted him. He vows to prove he’s the chosen one, leaving no stone unturned, which aligns perfectly with the meaning of Pemurai Dzose. It’s the theme of hard work and determination that runs through the album.
Ghetto Midzi – A hustler’s anthem through and through. Mugaratia reflects on the everyday grind, asking, “Maswera sei, Mari matora here?”—a question every hustler can relate to. It’s about making sure the hard work pays off because, in the end, nobody cares about excuses, only results.
Mudzidzisi – A playful yet pointed track about the frustrations of formal education. Mugaratia takes a comedic approach, venting about the challenges of school while lacing the song with Tanto Wavie’s signature production. It’s a relatable story, especially for anyone who’s ever felt at odds with academic expectations.
Kimoko – Here, Mugaratia returns to his romantic side, showing his vulnerability as a hopeless romantic. It’s another love story that underscores his softer side, providing a break from the heavier, more reflective tracks on the album.
Tsuri Remix ft. King 98 – One of the few collaborations on the album, the remix of Tsuri sees Mugaratia link up with King 98. Their chemistry is undeniable, and King 98’s verse adds a fresh dynamic to the track, hinting at a strong personal and artistic relationship between the two.
Ingredients – This track brings a touch of humor and reality as Mugaratia reflects on relationships and attraction. The “daijies” (girls) he sings about are more than just beautiful—they are the total package. Though I stubbornly denied the obvious shortcomings, this is the kind of song you can't play around a loved one or crush of yours who isn't the bar loving hun you really might want.
Mwari Vanoona – A deeply spiritual song, this one has Mugaratia reflecting on his past, thanking God for his progress, and staying focused on his journey. There’s a humility in this track as he looks back on the days when he couldn’t afford to flaunt his phone in public, contrasting it with his rising success.
Netflix and Chill – Following on the playful theme of Ingredients, this track continues the relationship drama. Mugaratia humorously calls out a girl who loves the idea of Netflix and chill, poking fun at modern dating dynamics. It’s light, fun, and relatable.
Nhanho – You can hear Tanto Wavie’s influence all over this song. Nhanho is a spiritual anthem, urging people to follow their passions, whether it’s music, football, or any other dream. It’s a reminder to pursue your own path, even if it goes against what your family or society expects of you.
Pemurai Dzose is a powerful debut album that establishes Mugaratia as a force in Zimbabwean music. His ability to blend humor, romance, street smarts, and spirituality into a cohesive project is impressive. Tanto Wavie’s production elevates the album, providing a solid foundation for Mugaratia’s lyrical versatility. Each track offers something unique, making this album a must-listen for fans of Zimbabwean hip hop and dancehall alike.
Listen to the album using the link attached below and share with us your rating out of 10?
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